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January 14, 2007

Scuby

ghost tree.jpgHe just got back from the ghost tree. His mom thinks he had to come home and something happened out there, and he didn't go to school today. He has some kind of a cough now, and he says a deep sound is always in his ears. We all tried to talk him into surfing Cheyenne's after school, but he said he just wanted to go to the Java Hut and think about it and they say he just sat and stared.
I just don't want him to freak out with Halloween coming up in like ten months. I am trying to get him used to his new bluffside home and I hung a dummy up like a dreamcatcher that is supposed to soak in the bad vibes and send them out to the Valley. Some shaman gave it to me. Guess it's pretty powerful further inside, when it got shallow, there was a deep wall and it feathered and swayed diagonally, trying to describe itself in the emerald drapery. New colors slipp'd by in the wintery light and the year's face was reshown. Maybe this is the moment he is trying to relive there inside his mind.
I thought maybe he was cured, and so Shayla carefully wrapped him up in her blanket on the beach so that he looked like a woven corpse watching said surf with a hollow and dark look. His blood had turned as white as seafoam and cold too. He had gotten Ugg boots for Christmas but left them in that minivan on New Year's Eve near the ranch, even if he did find them, covered in his own vomit, there was little that could reverse the effects of the you know what now.
Now the students write his name on their notebooks and imitate him in the parking lot as if he were our high school's version of Dora, and I have seen his last name spraypainted all low-budge in the drainage ditch down by the football field. Whatevs. In the early mornings, with that canyon breeze breathing it's hills through the parking lot, I finger the cassette he gave me until we are both satisfied, rewinding it by hand again, just to hear his first favorite song.

Posted by Blazer

January 09, 2006

Coastal California Collections

gold.jpgFor those of you who missed my piece in last week's LA Weekly, here it is. Read all about some of my favorite West Coast books—an undiscovered literary cornucopia of dolphins, gold miners, weed dealers, pirates and elves.


Zeitlist: Culture
5 Overlooked Literary Sketches of Coastal California
by Erik Bluhm


There’s nothing wrong with skimming through The Grapes of Wrath or Two Years Before the Mast the night before your book group meeting, but California belles-lettres offers so much more than the oft-told tales of the family Joad. There’s a whole sagging shelf, in fact, of obscure printed-page pleasures out there in your local used book shop.


Moran of the Lady Letty by Frank Norris (1899). Best known for penning the Golden State’s other geo-socialist epic — the 688-page, aptly titled The Octopus — this Bay Area adept delivered a half-dozen novels in his brief lifetime, before ceding the title of California’s literary Man o’ War to an up-and-coming Jack London. This particular novella — a love story between an effete city boy and a Scandinavian sea captain’s lusty daughter — unfolds in great cinematic form, panning from genteel Frisco life to scenes of violent shanghaiing, high seas roguishness, and swarthy pirates shivving each other on Baja beaches. A turn-of-the-last-century page turner!


The Dolphins of Altair by Margaret St. Clair (1967). Sixty-eight years later, science-fiction writer Margaret St. Clair bettered Norris’ offshore chicanery by throwing in a pod of vengeful dolphins armed with purloined explosives. Tired of being poked and prodded by scientists, the rogue sea mammals team up with some antisocial humans to extract a little payback. They start by dropping a mine in an offshore earthquake fault, and then get more creative, melting the icecaps with some sort of magically charged quartz crystals. The result is rapidly rising sea levels and pretty much total destruction of the human race, all with front row seats for the victorious home team. “We swam closer,” recalls one dolphin. “The California current [was] alive with sharks, and no wonder. Among the floating timbers, sides of houses, sheets of plastic and uprooted trees were many bodies. The sharks slashed and tore at the fresh dead, greedily delighted, and when one body was stripped as clean of flesh as its clothing would allow, there was always another body to take its place at the sharks’ feast.”


Comrades by Thomas Dixon (1909). Egged on by a modern-day Joan of Arc named Barbara Bozenta — whose incendiary speeches ignite the ire of self-respecting California capitalists statewide — a cadre of red flag-wavers plop down enough bread to buy their very own island off the coast of Santa Barbara, where they set up a real-life Commie paradise with self-sufficient farming, rough-hewn attire and equal wages for all. The Brotherhood of Man’s hopes to attract 5,000 loyal workers, send out its own bohemian emissaries, and conjure “a new social order, a higher civilization, a new republic!” are dashed when the greed from the mainland manages to paddle across the channel. Even Bozenta’s inspiring doggerel (“Nations are but the dung-heaps out of which the fair flower of world-democracy is slowly growing.”) is no match for the seductive hum of capitalism.


High on Gold by Lee Richmond (1972). The story of two California dreamers a century apart. First, Joshua Aarons mingles with Mormons and digs for treasure in the Gold Rush. Disheartened by the greed and avarice around him, he retreats to an island called Anahita off the Golden Gate to ponder his mortal existence. One hundred twenty years later, Boston acid-head Gerveys Lecompte, on a quest for gold of a leafier variety, stumbles into Anahita — “now the mecca of hippiedom” — only to lose himself “in a fog of dope and disillusionment.” Try and imagine James Michener adapting Been Down So Long It Seems Like Up to Me into a romance novel. Then pull a tube and try again.


Street Magic by Michael Reaves (1991). When the Queen of Fairie “locked down the gates of her land to all but the highest born,” the cast-out “scatterlings” somehow found themselves trapped in San Francisco’s Tenderloin district dodging junkies, skinheads and tranny hookers. Follow the sad-eyed waifs as they huddle in their “magic nests” in the Panhandle, shivering in threadbare Velvet Underground T-shirts. Or root them on as they trick “round ears” into handing over their Muni fare with “sparkly magic from their fingertips.” The best (if not only) portrait of late ’80s S.F. before the interweb blitzkrieg killed The City dead. Who knew the gateway to the Fair Realm was right down the street from The Stud?

December 31, 2005

Frank Norris and the Novel of California

hans450.jpg"I have great faith in the possibilities of San Francisco and the Pacific Coast as offering a field for fiction," wrote Frank Norris in 1898. "Not the fiction of Bret Harte, however, for the country has long since outgrown the `red shirt' period. The novel of California must be now a novel of city life, and it is that novel I hope some day to write successfully."

Perhaps the quintessential California novelist, Frank Norris died before the twentieth century had found its sea legs. And while his collected works can practically be counted on one's fingers, Norris and his best-known novel, The Octopus, have through the years have managed to maintain a somewhat murky presence in the ouevre of Golden State literature. Deeper excavations of Norris's motives, influences, and technique, however, have been typically limited to those who spend their free time perusing academic papers and journals. That the last biography of Norris appeared in 1932 (Franklin Walker's Frank Norris, A Biography) makes the recent offering, Frank Norris, A Life (from the University of Illinois Press), such an anticipated release for historians and literati alike. The book's authors—professors Joseph R. McElrath Jr. and Jesse S. Crisler, of Florida State University and Brigham Young University respectively—"began their research as graduate students in 1971, and have devoted most of their scholarly careers to finding out who Frank Norris really was"—a noble undertaking if there ever was one.
Though Frank Norris never saw middle age or a completely realized modernization of his state and its then largest city, San Francisco, his works that concern its denizens and their struggles to come to grips with metropolitan "urbanity" succeed where many of his literary progeny did not—still generating dialogue and controversy one hundred years down the line.

The New York Times ran this review of McElrath and Crisler's book as well as an excerpt from its first chapter. And some of you might recall this essay entitled "The Geography of Frank Norris" from GGP a few years back.

July 24, 2004

Mike Davis and Disaster Stew

The Death of the Dam, Charles H. Lawrance. 1959
Ecology of Fear, Mike Davis. 1998

from Great God Pan #12, 1998

For every Nathanael West whose California book is begrudgingly admitted by the East Coast gatekeepers of the American canon, and for every Raymond Chandler or James Cain whose blunt refusal to act smart continues to confound and offend those critics—for each of these, there are a hundred more California writers whose foil to the New York literary establishment is an optimistic, sincere, and utter ignorance of it.

Case in point: The Death of the Dam, an epic poem in rhymed iambs chronicling the construction, collapse, and disaster of the San Francis Dam in north Los Angeles County in 1928. The poet Charles H. Lawrence, who also illustrated and published the first (and only) edition, remains a shadowy figure in West Coast letters. According to his “About the Author:”

He is a Fellow of the American Society of Civil Engineers, a Diplomate of the American Academy of Environmental Engineers, and a Member of the American Water Works Association, Water Control Federation, Instrument Society of America, and Southern California Water Utilities Association, Inc.
But none of these accolades offers adequate explanation of Lawrence’s inspiration, some five decades after the dam’s disintegration, to sheath his protractor for a quill pen, and in 243 well-metered sextuplets of iambic quadrameter, reincarnate himself as the Homer of San Francisquito Canyon and the Santa Clara River bed.
“We’ll build the dam across that draw,”
Bold Bill Mulholland said.
“Then will the skeptics stand in awe,
Of concrete shape and massive size,
Two hundred feet her crest will rise
Above the river bed!
As gauche as Lawrance’s verse may appear to literary connoisseurs, it is not particularly unusual in the Golden State. In fact, it fits rather nicely into a niche outlined by Mike Davis in his essay, “The Literary Destruction of Los Angeles.” The two characteristics of this niche seem to be an unadulterated disregard for taste and subtlety, and an insistence that the City of Angels be burned, flooded, zapped, blown-up, consumed by Bermuda grass, overrun by space aliens, miscegenated by non-white races or otherwise stripped of its fantasy status as an irrigated Eden for the master race, i.e., Iowans.

Davis, the world’s most erudite man to wear a Pete Rose haircut (runner-up: Milan Kundera), has unearthed over 150 instances in print and celluloid of Los Angeles being reduced to rubble. He writes:
The city’s propensity for spectacular disaster—its chief product according to some postmodernists—obviously provides a quasi-realist context for its literary destruction, but environmental exceptionalism only takes us part of the way toward an explanation of why Los Angeles is the city we love to destroy. There is a deeper, Strangelovian logic to such happy holocausts.

Continue reading "Mike Davis and Disaster Stew" »

June 21, 2004

Exley's Notes from Jefferson Boulevard

It should surprise no one to learn that Exley's lifelong delusions germinated not in the somber countryside and grey cities of the East, but at Exley's place of undergraduate learning?the University of Southern California in the downtown heart of the city that manufactures fantasy. -from Great God Pan #12, 1998

Continue reading "Exley's Notes from Jefferson Boulevard" »